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Showing posts with label official. Show all posts
Showing posts with label official. Show all posts

Friday, November 26, 2010

Guru Josh & Lauren Rose – Frozen Teardrops (XM Remix)


“Producer Paul Walden made his recording debut as Guru Josh in 1989 with a white label 12″ of “Infinity” intended to promote a rave of the same name. Though only 1,000 copies of the 12″ were reportedly pressed, it became an acid house anthem at The Haçienda, an influential dance club in Manchester, England, where Mike Pickering, the club’s Friday night DJ, championed the song. In the wake of the song’s sudden popularity amid the British acid house scene, Guru Josh was offered a recording contract with Deconstruction, a dance music subsidiary of BMG.

Sunday, October 10, 2010

Sweet Lemon - Make Me Wanna (Official & Narcotic Sound Extended)

The Sweet Lemon Project

The friendship between Andreea, Bogdan and Felix brings this year to your attention a brand new tastefull, fresh and cool band : Sweet Lemon. They are always ready to change any normal and ordinary situation into a real show. Open to new technologies concerning musical field and attracted to electronic and dance music , the band adopts a dance electro style with all kinds of spices and influences.

Bogdan
He was just a little boy, when he first saw a guitar, at the age of 11. He falls in love with this instrument and begins to study it very conscientiously , until he turns out to be a very good performer. Although Bogdan is the settled down type of guy, at times he likes to surpise people around him, of course in a good way, with unpredictable and unexpected ways of acting. For example you wouldn’t expect him to be a fan of rock music , but he is crazy about rock.
He is called the perfectionist : tenacious in whatever he does and the word “random” is definitely not on his list.
During high-school, he discovers about himself the fact that he likes working in studio, he is eager for recording sessions, he loves putting pieces of music together and later, this makes him accept the challenge of following Sound Editing Courses, within Film University of Bucharest.
Later he becomes member of numerous musical projects , and that is the perfect time for him to get used to stage performing.
2009 brings him the award for “Best Sound Film” for the short movie “Desert Rain” within the international Film Festival – “CINEMA IUBIT”. The same year he wins the Popularity Award, within Battle of Songs ( a composition contest ), for the song Life, in the interpretation of Andreea , whom he meets in 2008 (he sais laughing about it : “I met her on Hi5 because I loved her voice and I wanted to meet her to tell her about my musical plans” ).
At the present he is a musical composer, arranger, producer and performer in his own band. 

Andreea
She sings since forever. She remembers that in her past lives she was a singer too, so it’s not wrong for us to say that music discovered her and lead her steps in life. Ever since she was a little girl, trying her mama’s shoes she had the feeling that she would become a stage performer.
When you meet her, at first you see her expressive and beautiful image. Then you feel her unlike sensitivity because she has a strange and lovely power to burst into your heart.
Although she is the Dreamer she reserves an inner power and capacity to get over almost any kind of obstacle. When she is on stage he turns into a beautiful, strong and crazy woman in love with her job.
At first she is discovered singing in quires ( starting from the age of 8 ). Here she understands what music is, and what part does it play in her life. She meets Maria Simion (first soloist on flute at the Romanian Opera) with whom she studies at first bell canto . She talks about vocal singing as a great gift. Everybody can learn how to play an instrument, but singing in sacred .
2007 is the year that she is introduced to the romanian public, when she gets the chance to be selected for Romanian Idol. She manages to stay in competition until the final, but she gets the second place. The duet with Paula Seling , on the song Timpul (Time) convinces the public of her authenticity and talent.
The same year she graduates foreign languages within The West University, thing that helps her write her own lyrics in English.
2007 is her lucky year. That is when Sistem Band proposes her to become part of their band. So later on, she records with them the song called “Boca del Inferno”, which turned out to be a really successful summer hit. She joins Sistem in their concerts in Romania and abroad.
2009 sends Andreea to “Golden Stag” International Festival, where she performs in the opening of every night festival together with Sistem. In the night between the years 2009 – 2010 they perform in the Constitution Square were they make a great show together.
2010 is the year that brings Andreea the dream band Sweet Lemon and she sais beautiful things are yet to come and that life without music is a waste of time.

Felix
He is the the exotic artist who can make almost any object sound like music. His energy is as overwhelming as a volcano’s and when he performs he unleashes himself inciting the public, especially the ladies. He is a real showman and when you are around him you cannot stay still because his euphoria is contagious. If you are already exhausted you will be surprised to see that he is as fresh as ever , and then you will feel like asking “is this guy serios?”
He studies music at The Music Academy,” George Dima”, in Cluj, and he also follows there a masterclass in percution. The various prizes won before college gave him the chance to be admitted at the academy without any exam , so he is smart, lucky and of course talented.
He experienced during the years the posture of teacher at the “Popular School of Arts”, forming 3 generations of percutionists . But this was just the beginning o his career, following collaborations with numerous bands such as : Slang (the winners o the Golden Stag in 2004), Kum, Sistem, Urma, One, Morandi, Spin, Vh2 , all of them romanian bands, so he is a very notorious , loved and appreciated drum boy.
He remembers one moment that was very important for him, when participating to MTV Exit, which took place in Albania and was organized by Angelina Jolie, whom he admires very much. The way he met Andreea was though an ad : “in search of apartment mate” and then he met Bogdan, who had already befriended her.

After winning europeean's hearts with songs like "Hot", "Deja Vu", "Amazing" ( INNA), "Stereo Love" (Eduard Maya), back in 2009, this year a brand new Romanian band that promises keep up the line. Sweet
Lemon is the band’s name that aims very high with it's first hot single, called "MAKE ME WANNA" produced by Narcotic Sound(Mamasita).

It is amazing that only a week weeks the releasing of the song online, it has registered more that 100 000 viewers.
Open to new technologies concerning musical field and attracted to electronic and dance music , the band adopts a dance electro style with all kinds of spices and influences.

Thursday, July 29, 2010

Bentu De Soli - Pearls Of Summer

The History of MP3

"The German company Fraunhofer-Gesellshaft developed MP3 technology and now licenses the patent rights to the audio compression technology - United States Patent 5,579,430 for a "digital encoding process". The inventors named on the MP3 patent are Bernhard Grill, Karl-Heinz Brandenburg, Thomas Sporer, Bernd Kurten, and Ernst Eberlein. In 1987, the prestigious Fraunhofer Institut Integrierte Schaltungen research center (part of Fraunhofer Gesellschaft) began researching high quality, low bit-rate audio coding, a project named EUREKA project EU147, Digital Audio Broadcasting (DAB).

Dieter Seitzer and Karlheinz Brandenburg

Two names are mentioned most frequently in connection with the development of MP3. The Fraunhofer Institut was helped with their audio coding by Dieter Seitzer, a professor at the University of Erlangen. Dieter Seitzer had been working on the quality transfer of music over a standard phone line. The Fraunhofer research was led by Karlheinz Brandenburg often called the "father of MP3". Karlheinz Brandenburg was a specialist in mathematics and electronics and had been researching methods of compressing music since 1977. In an interview with Intel, Karlheinz Brandenburg described how MP3 took several years to fully develop and almost failed. Brandenburg stated "In 1991, the project almost died. During modification tests, the encoding simply did not want to work properly. Two days before submission of the first version of the MP3 codec, we found the compiler error."

What is MP3

MP3 stands for MPEG Audio Layer III and it is a standard for audio compression that makes any music file smaller with little or no loss of sound quality. MP3 is part of MPEG, an acronym for Motion Pictures Expert Group, a family of standards for displaying video and audio using lossy compression. Standards set by the Industry Standards Organization or ISO, beginning in 1992 with the MPEG-1 standard. MPEG-1 is a video compression standard with low bandwidth. The high bandwidth audio and video compression standard of MPEG-2 followed and was good enough to use with DVD technology. MPEG Layer III or MP3 involves only audio compression.

 

Timeline - History of MP3

* 1987 - The Fraunhofer Institut in Germany began research code-named EUREKA project EU147, Digital Audio Broadcasting (DAB).
* January 1988 - Moving Picture Experts Group or MPEG was established as a subcommittee of the International Standards Organization/International Electrotechnical Commission or ISO/IEC.
* April 1989 - Fraunhofer received a German patent for MP3.
* 1992 - Fraunhofer's and Dieter Seitzer’s audio coding algorithm was integrated into MPEG-1.
* 1993 - MPEG-1 standard published.
* 1994 - MPEG-2 developed and published a year later.
* November 26, 1996 - United States patent issued for MP3.
* September 1998 - Fraunhofer started to enforce their patent rights. All developers of MP3 encoders or rippers and decoders/players now have to pay a licensing fee to Fraunhofer.
* February 1999 - A record company called SubPop is the first to distribute music tracks in the MP3 format.
* 1999 - Portable MP3 players appear.

What Can MP3 Do

Fraunhofer Gesellschaft has this to say about MP3:"Without Data reduction, digital audio signals typically consist of 16 bit samples recorded at a sampling rate more than twice the actual audio bandwidth (e.g. 44.1 kHz for Compact Discs). So you end up with more than 1.400 Mbit to represent just one second of stereo music in CD quality. By using MPEG audio coding, you may shrink down the original sound data from a CD by a factor of 12, without losing sound quality."

MP3 Players

In the early 1990s, Frauenhofer developed the first, however, unsuccessful MP3 player. In 1997, developer Tomislav Uzelac of Advanced Multimedia Products invented the AMP MP3 Playback Engine, the first successful MP3 player. Two university students, Justin Frankel and Dmitry Boldyrev ported AMP to Windows and created Winamp. In 1998, Winamp became a free MP3 music player boosting the success of MP3. No licensing fees are required to use an MP3 player." Article source: www.inventors.about.com.

Saturday, July 17, 2010

Sting - Desert Rose (Mat Zo Progressive Trance / Toxication Chillout)

"Born 2 October 1951, in Wallsend, north-east England, Gordon Sumner's life started to change the evening a fellow musician in the Phoenix Jazzmen caught sight of his black and yellow striped sweater and decided to re-christen him Sting. Sting paid his early dues playing bass with local outfits The Newcastle Big Band, The Phoenix Jazzmen, Earthrise and Last Exit, the latter of which featured his first efforts at song writing. Last Exit were big in the North East, but their jazz fusion was doomed to fail when punk rock exploded onto the music scene in 1976. Stewart Copeland, drummer with Curved Air, saw Last Exit on a visit to Newcastle and while the music did nothing for him he did recognise the potential and charisma of the bass player. The two hooked up shortly afterwards and within months, Sting had left his teaching job and moved to London.
Seeing punk as flag of convenience, Copeland and Sting - together with Corsican guitarist Henri Padovani - started rehearsing and looking for gigs. Ever the businessman, Copeland took the name The Police figuring it would be good publicity, and the three started gigging round landmark punk venues like The Roxy, Marquee, Vortex and Nashville in London. Replacing Padovani with the virtuoso talents of Andy Summers the band also enrolled Stewart's elder brother Miles as manager, wowing him with a Sting song called 'Roxanne'. Within days Copeland Senior had them a record deal. But the hip London music press saw through The Police's punk camouflage and did little to disguise their contempt, and the band's early releases had no chart success. So The Police did the unthinkable - they went to America.
The early tours are the stuff of legend - bargain flights to the USA courtesy of Freddie Laker's pioneering Skytrain; driving their own van and humping their own equipment from gig to gig; and playing to miniscule audiences at the likes of CBGB's in New York and The Rat Club in Boston. Their tenacity paid off though as they slowly built a loyal following, got some all important air-play, and won over their audiences with a combination of new wave toughness and reggae rhythms.
They certainly made an odd trio: guitarist Summers had a career dating back to the mid-60s, the hyper-kinetic Copeland was a former prog-rocker, and Sting's background was in trad jazz and fusion. The sound the trio made was unique though, and Sting's pin-up looks did them no harm at all. The band returned to the UK to find the reissued 'Roxanne' single charting, and played a sell-out tour of mid-size venues. The momentum had started. The debut album 'Outlandos d'Amour' (Oct 78) delivered three sizeable hits with 'Roxanne', 'Can't Stand Losing You' and 'So Lonely' which in turn led to a headlining slot at the '79 Reading Festival which won the band some fine reviews, but it was with 'Reggatta de Blanc' (Oct 79) that the band stepped up a gear.
Regatta de BlancReggatta's first single, 'Message In A Bottle', streaked to number one and the album's success was consolidated further when 'Walking On The Moon' also hit the top slot. The band was big, but about to get even bigger. 1980 saw them undertake a world tour with stops on all continents - including the first rock concerts in Bombay - and the band eventually returned to the UK exhausted, for two shows in Sting's hometown of Newcastle.
Zenyatta MondattaWithin weeks of the tour finishing, the band were back in a studio in Holland to record new tracks but Sting's stock of pre-Police songs and ideas were starting to wear out. When 'Zenyatta Mondatta' was released (Oct 80) although it sold well and produced another number one single in 'Don't Stand So Close To Me' and a top five hit with 'De Do Do Do, De Da Da Da' a rethink was required.
Ghost In The MachineChanges materialised on 1981's 'Ghost In The Machine', a rich, multilayered album which was augmented not only by Jean Roussel's keyboards and Sting's self taught saxophone playing, but by particularly strong writing contributions from both Copeland and Summers. The album still had the now expected clutch of hit singles with 'Every Little Thing She Does Is Magic' making number one, the bleak 'Invisible Sun' reaching number two (despite a BBC ban being slapped on its video) and 'Spirits In The Material World' also charting, but it was a much darker and complex album than its predecessors and, to many, more satisfying.
A handful of concert appearances in mid 2009 disguised the fact that Sting was also recording a new solo album, and naturally, it was not what was expected. Taking the winter as it's over-arching theme, Sting instead recorded a selection of ancient hymns, carols, folk songs and re-recorded a small selection of his own songs with a hugely talented group of musicians including Dominic Miller and Kathryn Tickell. The resulting album 'If On A Winter's Night...' was release in Autumn 2009, and the songs on the album received a world premiere in the magnificent setting of Durham cathedral, in Sting's native northeast England where the two performances were also filmed for a feature length DVD/TV programme. Further shows in New York, Paris and Baden Baden followed before Christmas 2009.
The new year found Sting performing occasional live shows in places like Dubai, Venezuela and Colombia with a core band of Dominic Miller and David Sancious and one of a selection of drummers - Vinnie Colauita, Abe Laboriel Jr and Josh Freese - depending on their respective availability. The main live activity of 2010 though will be the forthcoming tour with the Royal Philaharmonic Concert Orchestra and a quartet consisting of Dominic Miller, David Cossin, Jo Lawry and Ira Coleman. The tour will see him performing his most celebrated songs re-imagined for symphonic arrangement, conducted by Steven Mercurio (Pavarotti, Bocelli). The tour plays across North America in June and July arriving in Europe in September. As ever, Sting continues to surprise..." Article source: Sting on MySpace.

Thursday, July 1, 2010

Stereo Touch - It's A Fine Day (Relight Orchestra Club Mix)

"The Relight Orchestra is a project that was created by Robert 'Eno' Relight (one of Italy's biggest DJ's), Alex Montana (voice and percussion) and Mark Lanzetta (Violin and vocals). Under this guise the trio began to create house music that had strong connections with disco music from the seventies and eighties with the result being a wonderful mixing pot of real played solos and the right kind of electronic elements. Their productions have not only gained great success on the clubbing scene all over the globe but have also been featured in soundtracks and program inserts on varied important film and television projects. Their live shows are always a favourite with the club goers due to a very professional blend of factors; Robert Eno has over the years mastered the art of DJ'ing in so much that his choice of music and the way in which it is presented gives maximum priority to making the crowd enjoy themselves offering them tunes that not only move the dancefloor but also never becoming boring or banal. Add to this the masterful way in which Alex incites the crowd in a way that is always exciting but never invasive with his vocals and percussive inserts backed up by musician Mark who with his Violin makes you dream and the final outcome is a show that leaves people wanting more and more.

The Relight Orchestra is today one of those few realities that doesn't just think about what they like but instead how they can please their public and this is mirrored in the way that clubs ask them to come back time and again." Article source: www.relightorchestra.it.
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