David Guetta - Just A Little More Love (DJ Tayna Remix)

The Record Store - An Oportunity In Starting A Music Business

"These three areas must be dealt with prior to new record store.

Inventory Cost

One of the primary costs of your initial launch may be to obtain your inventory of thousands of CDs from suppliers to fill your store before opening. Suppliers probably want you to succeed and may help to finance your inventory by allowing you a thirty or even sixty day payment period after receiving the products. This period of time may buy you the ability to sell some inventory and generate some revenues. However, you will probably have to cover a large part of the inventory cost with your startup capital and estimating this number is a key consideration for your business plan.

Staffing

To keep your doors open, you will need a clerk or clerks at all times to complete sales transactions and provide customer service, as well as other employees to at least occasionally stock shelves, maintain the store, and order new products. You may choose to make one of these employees yourself in the early days of the store, but you must have the ability to hand off this work as time goes on. Your value to the store will be in strategic thinking about marketing, branding, and operations systems, and not in ringing up customer after customer.

Location

Your store can be successful if accessible only by car as well as if it is just reachable on foot. If accessible by car, see if you can place promotional signs along the road on the approach the store and not just at the store itself. The earlier that drivers read your sign, the more time they have to consider changing their plan and stopping. This is not necessary for a walk-up location where passersby have ample time to think about stopping in.
The more difficult your store is to reach by your customers overall, the more they will be encouraged to shop for music online or at a closer competitor’s store. Furthermore, if big box retailers can beat you on prices, you may need to be extremely close to customers to make shopping at your store make sense for them from a purely financial perspective. "

Article source: www.growthink.com. All rights reserved to author(s) in the specified source.

Kelly Rowland & David Guetta - Commander (Sidney Samson Remix)

"As a seven year old boy, Sidney started playing the guitar. From there on he knew that he wanted to make music for the rest of his life.

After seeing a couple of DMC mix championships, his interests were going towards dj-ing. He started dj-ing in 1995 at the age of 14. During that time he mainly played RnB and HipHop tunes at local clubs. He switched his style completely into housemusic in 1999 and became the resident DJ of the ‘Exxellent’ nights at one of Holland’s biggest clubs The Matrixx in 2003. His producing skills really took off in that period.
His first real club banger was called ‘Sidney Samson-It’s all funked up!’ (Spinnin’ Records 2003).
After this release, Sidney knew that he couldn’t stop here and locked himself up in his studio. ‘Nobody Move’, ’Rock This’, ‘Girls’, ‘Aeroplane’ and ‘Viruz’ were some resulting floor fillers, to name but a few.
In 2007, after a few successful collaborations with Gregor Salto, they decided to start a new record label named Samsobeats. On this label, new tracks are released from the hottest new DJ’s and producers who showed their talents to the world. Samsobeats wants to set a new feeling instead of a particular sound. That’s why you can expect very various tracks, from electro to latin. Every release must have the potential to grow into a floor filler.
With the Skitzofrenix he was responsible for the big summer hit ‘You don’t love me’. This tune is still ripping up the dance floors and was of course released on Samsobeats! Then Sidney was hitting the charts with ‘Today’, featuring vocals of the talented Joni. This track is showing another side of Sidney and you can even hear him play the guitar in the breaks…
And last but not least, you really couldn’t have missed it: RIVERSIDE !

In charts all over the world for several weeks and even PLATINUM in Australia;

The single would have actually moved from #13 in the National Singles chart, back up to number #10, if it hadn't have been for 8 Michael Jackson records entering the top 20. In the UK, Riverside entered the charts on #2 in January 2010 and has been fully supported by David Guetta, Laidback Luke, Diplo, A-trak, Tiga and Boyz Noize just to mention a few.

A lot happened since RIVERSIDE. And even though Sidney now travels around the globe, performing at the biggest festivals and in coolest clubs, he manages to maintain the same ‘no nonsense’ mentality that brought him this far.

Sidney: “I’m grateful for all the doors RIVERSIDE opened for me but I don’t intent to keep on riding out its success. I love DJ-ing but I’m a producer first. And now you have seen my RIVERside, I can’t wait to show you my other ‘sides’ (laughs)”.

And show his other sides he did, that of a great remixer for instance. Some of Sidney’s remix productions are yet to come out; others are already rocking the dance floors. From Kylie Minoque’s “Get Outta My Way” to Guetta’s “Getting Over You” and “ Commander”, Solveig’s “Hello” and Dead Prezz’s “Hip Hop”, it seems so far that Sidney Samson keeps meeting everyone’s anxious expectation. Everyone’s, but those who are still waiting for RIVERSIDE, the sequel.

Sidney: “As far as my own productions go, I’m learning every day. And I try to add new tricks to my box instead of repeating the same ones over and over again. Sometimes it works, sometimes it doesn’t. But that is the risk I’m willing to take”.

So what has been cooking in Sidney Samson’s kitchen lately? The Punk Ass EP (Panorama) has been his latest release and already fully supported by all the top dj's.

A follow up to ‘Dama S Salon’, a successful collaboration with DJ Gregory (FR) is gonna be released soon. Same goes for his collab with Steve Aoki, Wake up Call.

It seems Sidney Samson (which is his real name by the way) is not planning to slow down any time soon."

Article source: www.sidneysamson.com . All rights reserved to author(s) in the specified source.

David Guetta & Chris Willis feat. Fergie & LMFAO - Gettin' Over You (Grego's Vocal Bootleg)

Reducing Sound Levels Inside Car Cabins

"Some cars have much less interior noise than others. Large or luxury cars often go through more extensive testing and use higher-quality materials to reduce the sound level inside their cabin. You can use better insulation and thicker sheet metal to reduce the noise, and while you can't make a Dodge Neon drive as quietly as a Lexus or a Cadillac, there are ways you can reduce the sound level inside the cabin.

 

Instructions:

• Upgrade your factory under-hood insulation. While the under-hood insulation helps to prevent fire, it also plays a role in reducing engine noise entering the cabin. Make sure your replacement is proven to reduce engine noise and fireproof. While you're under the hood, you can also add an engine cover. Many modern vehicles already have engine covers, but older ones don't.

• Install carpet padding in between your carpet and the metal floorboard of your car. Most cars have carpet padding, but it is designed to be more cost-effective and less effective at reducing interior sound levels. A large portion of road noise travels into your cabin from underneath the vehicle; upgrading to a thicker, more efficient carpet padding will reduce the interior sound level. Although the procedure can be done at home, the seating and carpet must be removed, so professional installation is recommended.

• Apply a sound-deadening material, such as Dynamat, between the metal and plastic in your door panel. The material will better insulate your cabin and drastically reduce noises from being piped in. Installation is fairly straightforward; most of the materials are self-adhesive. Removing your door panel is required. Many sound shops will take on the project if you aren't able to do it yourself.

Any of the methods will help reduce the sound levels in your car; doing all of them together would make a tremendous difference. Because most interior cabin noise comes from outside the vehicle, you can also look for ways to reduce the amount of exterior noise your vehicle makes to lessen the amount coming in. Try an all-season or touring tire for a quieter ride than performance tires. Exhaust systems can also be upgraded to operate quieter."

Article source: www.ehow.com,  written by Leonardo Navorski. All rights reserved to specified author and webpage.

David Guetta - The World Is Mine (Antonyo & Flamemakers Remix)

David Guetta Builds A 'Bridge' Between Dance Music And The Mainstream

Over the past two years, French DJ/producer David Guetta has made impressive strides, turning dance music into pop music. "He's an incredible DJ, first of all," Guetta's "Sexy Chick" collaborator, Akon, recently told MTV News. "Second, he's an incredible producer." Dutch electronic-music icon Tiësto told us, "After all of the collaborations, like the Black Eyed Peas did with David Guetta ['I Gotta Feeling,' which Guetta produced with Will.I.Am] and Kelly Rowland ['When Love Takes Over'], I think that woke up the whole scene. Everybody wants to be a part of dance music." Dance music's new shining star, 22-year-old Afrojack, told MTV News, "He introduced me to everybody, and I had a great time with Will.I.Am, Kelis and Apl.De.Ap. David is just a really nice guy. He's not only my friend in the studio, but he's my friend outside."Respected by most in music, Guetta has been on a dream run with a series of collaborations (with folks like the Peas, Akon, Estelle, LMFAO, Ne-Yo, and Kid Cudi) that have done as much to make dance music mainstream as they have to turn the DJ/producer into a global superstar. On an average weekend, he spins records for a 100,000 people (like he did at the recent in Miami). "I always felt that our music was underrated," Guetta told MTV News recently. "I felt that it should be as big as hip-hop and rock. It happened this year with my album One Love. This is still a huge, fantastic, underground scene. But that bridge that I created between electronic Euro culture and American urban culture really made a difference, I think. To finally have dance-music records being played on the radio in America is pretty incredible.

"It is, like, really crazy, because I started as a hip-hop DJ, then discovered house music and was pulled into house," he added. "But also, I never stopped listening to hip-hop at home. It just came back to me. It's like destiny."

Now that he's found success merging dance and hip-hop, Guetta plans to keep the collabos coming.

"The mix between urban and electronic is really what I'm excited about today, and I want to do that direction for the next album, absolutely," he said. "Dance music is the next thing for the next 10 years. There's nothing you can do about it!"" Article source: www.mtv.com.

David Guetta - Love Is Gone (DJ Ramin Progressive Remix)

"David Guetta – the pioneer of French house with Up & Way, a garage-style track with vocals by Robert Owens released in 1992 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. In 2001, however, he went back to his first love: making music.
Launched by the single Just A Little More Love, an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guetta’s first album was released by Virgin in June 2002 and went on to sell 250,000 copies. This resounding success carried through in the album’s second, even more devastating single, Love Don't Let Me Go, a track reminiscent of Moroder‘s techno-disco style crossed with Depeche Mode’s new-wave sound.

Propelled by the rock guitars of the single Money, David’s second album, GUETTA BLASTER, is even gutsier. David and Joachim Garraud (the first album’s co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive and New Order, to name the most prominent influences. All the tracks on this second album are original compositions. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britain’s Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new – and always spectacular – heights.

From GUETTA BLASTER’s opening salvos, Money and Stay, we get beats that are cranked up a notch beyond the hard-dance formula of Just A Little More Love. Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. The result is 100% addictive." Source & Full article available at www.beatfactor.net.

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David Guetta & Kelly Rowland – When Love Takes Over (Abel Ramos Paris With Love Remix)

"Starting with a piano flow similar to Coldplay’s “Clocks”, Kelly Rowland falls in love with dance beats on her new venture into clubland. As guest vocalist on this poppy David Guetta collaboration, the two show what happens when an in-demand producer and DJ gets the right girl for the job. This track highlights the talents of both, offering one of the more sensual club tunes of summer 2009. Its pop tendencies give hope it could cross over and also become one of the biggest pop singles of the year. Every summer one song defines the hot months. This track not only defines the dance scene of summer 2009, it secures a place among club classics destined to flourish in club life for years to come." Article source:  Techno Trance Music Suite

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