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Wednesday, July 7, 2010

David Guetta - Love Is Gone (DJ Ramin Progressive Remix)

"David Guetta – the pioneer of French house with Up & Way, a garage-style track with vocals by Robert Owens released in 1992 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. In 2001, however, he went back to his first love: making music.
Launched by the single Just A Little More Love, an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guetta’s first album was released by Virgin in June 2002 and went on to sell 250,000 copies. This resounding success carried through in the album’s second, even more devastating single, Love Don't Let Me Go, a track reminiscent of Moroder‘s techno-disco style crossed with Depeche Mode’s new-wave sound.
Propelled by the rock guitars of the single Money, David’s second album, GUETTA BLASTER, is even gutsier. David and Joachim Garraud (the first album’s co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive and New Order, to name the most prominent influences. All the tracks on this second album are original compositions. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britain’s Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new – and always spectacular – heights.
From GUETTA BLASTER’s opening salvos, Money and Stay, we get beats that are cranked up a notch beyond the hard-dance formula of Just A Little More Love. Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. The result is 100% addictive." Source & Full article available at www.beatfactor.net.
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